A desert exhibition lands in the heart of the Marais this September, as AlUla and Lafayette Anticipations pair centuries of Saudi craft with contemporary French collecting, proof that sand and concrete have more in common than the map suggests.
The firm that built M+ hands over its sketchbooks. Discretion, it turns out, was never the point.
Everyone blames the delay on a dead genius. The real culprit is a business model and it is one every self-funded museum should study.
Charles Eames drove through Nuevo León nine years before he ever met Ray, a footnote so small he barely mentioned it for decades. Now it's the opening scene of Mexico's first-ever Eames retrospective.
Uzbekistan has just become the first country in Central Asia to see its twentieth-century architecture recognised by UNESCO, and Tashkent's modernist landmarks are now, officially, the youngest buildings on the World Heritage List.
Concrete convictions: how seven newly independent nations built their identity in glass and reinforced concrete, and why MoMA's latest show could not have landed at a more Instagram-ready moment.
The Italian who made the design world uncomfortable… and then indispensable, finally gets his Tokyo moment.
A new retrospective at the Stedelijk asks an uncomfortable question: how can the designer behind Schiphol's iconic terminal have slipped so quietly out of memory?
Verner Panton at 100: The Man Who Declared War on Beige. From the Panton Chair to the Spiegel Canteen, the Vitra Design Museum's new retrospective makes the case for design's greatest provocateur.
